2015 Reflections

We at We Players are so grateful…

that we get to spend so much time outdoors
in historically-significant, culturally-charged, environmentally rich, and stunningly beautiful locations.

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It’s our great joy to scout them out, to invest in complex partnerships with the federal and state governments, and to collaborate with talented artists from around the Bay Area and the world- all to bring thrilling works of art to our public parks.

And we thank YOU for joining us in the fog and mist, in the blustery cold of our coastal climes, in the sun-kissed open spaces, for climbing steep hills and sitting on the ground, for gathering in the dwindling light to enter the unknown in our mead hall. For braving the elements and opening your hearts to the stories we share.
We are SO excited to announce our 2016 sites and programs, we’ll be blaring our horns with news in January.

Before we launch into the new year and all its new adventures, we’re taking some time to reflect on 2015, lessons learned and accomplishments achieved. We’re feeling really grateful for you, our extended community, and we’re feeling proud and humbled at once by what you’ve told us about your experiences with We Players this year.


Savor the sweetness with us!

Here’s what you and your fellow audience members had to say
about Ondine at Sutro this spring and HEROMONSTER at the Fort Mason Center Chapel this fall…

You told us that HEROMONSTER was:

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You said the…

“intensity was palpable and visible in every calculated move made, sweat drop wiped, and grunt or gasp heard.”

and that we “populated [your] dreams with stirring visions”

And you shared personal discoveries:

“Gradually an idea emerged in my mind that had to do with ritual performance of a very old epic story taking place at an annual gathering of which we were part.”

“After all the battles, in the quiet of the aftermath, we wonder…would there still be heroes and monsters if we all lived in a world where everyone practiced how to be more kind, more loving?”

Our thanks to you, for joining us for HEROMONSTER


Earlier this year…

y’all couldn’t get enough of that sparkly sea nymph and her sexy silly knight errant!

You told us that Ondine at Sutro was:

“beautiful, smart, and funny”
“mesmerizing”
“unbearably beautiful”
“Superb! So funny, so poignant, too good.”
“the only time I can remember soaring pelicans bringing tears to my eyes”

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And that this is what happened to you:

“I left the piece feeling very filled up, inspired, and awake.”

“I will always remember the magical way We Players used the environs–most particularly the ending, when Ondine and the Old One disappeared over the ridge toward the fog-enshrouded sea. For me, that moment was perfection.”

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“It’s not often that I feel that time has stood still during a performance and that was one of those times.”

“Once again, thanks to We Players I discovered a fabulous new space up to then unknown.”

And the head of SF Rec and Parks, Phil Ginsburg shared that:
“Yesterday’s performance was magical. It was one of the most unique and special theater (or park) experiences I have ever had. Thank you for introducing us to a whole new way of experiencing the elements in that spectacular setting. Thank you for opening our minds and hearts to what the Parks have to offer!”

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In closing, here is a letter we received from an Ondine attendee:

I have continued to think of Ondine throughout the day today — what a profound, magical, and artful experience it was to enter Ondine’s world yesterday.

[My husband] spotted a whale breaching in the Golden Gate, just moments before Hans commented that, in his world, whales could pass between a man and woman in the course of a day…

As we wound our way up the hill to Sutro Heights, I was struck by how radiantly happy everyone was around me, the crowd of We Players attendees all smiling and laughing, in a way that is quite rare in our present-day rush and seriousness, and in a way that seemed to be contagious to those passersby staring in wonder at what must have appeared like our own private carnival. And then spotting the Old One standing above us on a cliff, silently watching our progress.

And when Ondine was wrenched from her consuming grief, by the third call of her name, the stark silence was softened by a burst of quiet birdsong in the tree above her, making it seem all the more real that this was indeed a sudden new dawn for her, and my eyes filled with tears. As Ondine and her fellow spirit beings disappeared into the swirling mist toward the sea, tears streamed down my face.

Thank you for creating this magic. For bringing us to greater awe and connection with the magic already in the land around us here, and in the waters and mists and silent ancient stories they hold.

Thank you for sharing your stories with us. We love you.

Happy Holidays!

2015 Theatre Bay Area Awards

Our production of Ondine at Sutro received
7 nominations at Theatre Bay Area’s 2015 Awards!

Outstanding Production of a Play
Outstanding Performance by a Female Actor in a Principal Role: Ava Roy
Outstanding Performance by a Female Actors in a Featured Role: Jennie Brick
Outstanding Performance by a Male Actor in a Featured Role: Nathaniel Justiniano & Nick Medina.
Outstanding Performance by the Ensemble of a Play
Outstanding Costume Design: Brooke Jennings

We’re so pleased that the talent and passion of our actors and creative team – as well as the significance of site-integrated theatre – is being recognized by the Theater Bay Area Awards this year. Didn’t get to see Ondine at Sutro? Want to experience it again? We hope our video and photography highlights can help immerse you (again) into this fairy tale of enchantment and wonder…

Ondine (Ava Roy) and the King (Nick Medina) immersed in a serious discussion about LOVE

Ondine (Ava Roy) and the King (Nick Medina) immersed in a serious discussion about LOVE

On Monday eve November 16, we celebrated our shared commitment to impassioned storytelling with the larger Bay Area theatre community. We found ourselves on stage in an actual theatre for the first time…well…ever! And what a beautiful playhouse ACT’s Geary Theatre is. Ava and Cole Ferraiuolo, the young Artistic Director of Faultline Theatre, presented awards together and shared the stage with many other directors from around the region. Musical theatre folks shared song and dance routines and several important Legacy Awards were presented, including to the late, great Mark Rucker, whom we all honor and miss.

We’re especially pleased to celebrate Brooke Jennings and Nathaniel Justiniano, award recipients in their finalist categories. Three cheers!   

We Players performers and volunteers at the awards ceremony!

We Players performers and volunteers at the awards ceremony!

Announcing Brooke Jennings for Outstanding Costume Design!

Announcing Brooke Jennings for Outstanding Costume Design!

a HEROMONSTER reflection

An audience member and new volunteer with We Players took time to share some impressions from her HEROMONSTER experience with us. We think this is so thoughtfully composed, that you might like to read it too! Thanks, Geneva!

Photo by Lauren Matley

Photo by Lauren Matley

HEROMONSTER’s only two actors opened the doors to the mead hall in the interior of the Chapel at Fort Mason and welcomed the audience into the space. We Players’ mead hall had food and real mead and ale on offer. The show itself was a mix of battles and fellowship, disjointed attacks and assists. During the show, the actors played both friend and foe, both ally and enemy to the other. With tenderness, brutality, and extreme physicality – framed in the Chapel with its beautiful stained glass windows and the chilly autumn air outside – HEROMONSTER brought forth difficult questions about the practice of kindness and severity in the distant past and the tangible present. Dressed in rags and meeting each eye, the performers laid these questions before every audience member to face if they could. Each moment was either warm or cold or frightening, and no member of the audience was free to leave without the challenge and discomfort of witnessing both loving and abusive intimacy between strangers.

HEROMONSTER pulled the epic Beowulf out of the shadows of space and time and introduced a modern perspective that has the power to change what we understand to be “heroic” or “monstrous.” Heroism as defined by old texts often describes strength and ruthlessness in a time when you would die without them. With the intimacy of the action and the continuity of the setting, We Players makes the epic relatable while still deconstructing the traditional understanding of its meaning.

The rustic mead hall setting, simple costumes, and haunting accompaniment helped revive the sense of wildness and danger beyond the walls of the mead hall, feelings we relate to less in our modern world but that help to remind us of the base moments in which these concepts of “hero” and “monster” were born and given life via story as a means to prepare for and survive in the harsh northern world. With that world as a seamless part of our own HEROMONSTER experience, the advent of heroism and monstrosity are pulled apart from the confusion many of us found in Beowulf. HEROMONSTER asked relevant questions about what our understanding of heroism and monstrosity are today, how each can exist and operate unnoticed by many people. HEROMONSTER came up into my face and asked me, “Have our definitions after all these centuries remained so much the same that we no longer recognize true heroism and monstrosity?”

Photo by Lauren Matley

Photo by Lauren Matley

While HEROMONSTER was indeed a divergence from We Players’ usual large-scale, outdoor performance, it was a show still fully committed to exploring new boundaries for the company and its audience. We Players delivered a grand experience in which the actors participated in exactly what the show asks of their audience: willingness to try something new even when it is uncomfortable, something that values thorough examination of the self and how we choose to behave and treat each other as fellow humans.

– Geneva Redmond