A Letter to our Community

We believe that BLACK LIVES MATTER. In this time of intense upheaval, we want to participate actively in the fight for racial justice and social equality. We recognize this is a crucial moment to raise our voices for what we believe is right. We understand that our BIPOC friends, collaborators, family members, and community at large have suffered immeasurable harm and continue to suffer daily injustice due to SYSTEMIC RACISM. We are committed to supporting and uplifting the voices and stories of BIPOC people, at home in the Bay Area and across the globe. 

We are taking the daily traumas of political chaos and hateful divisive leadership and the horrific injustices daily inflicted on black and brown bodies and psyche very seriously. We are committed to making spaces that feel safe and welcoming for all. We are committed to wielding our art as a tool for personal and social healing and transformation. 

We are grateful for YOU, our community, for your voices, for your feedback, for your stories, for bravely sharing your truths to help shine light into our dark corners, to help illuminate our blind spots that we might see our shortcomings and strive to improve our practices and acknowledge past harms. We invite your story to join our circle. We bow with humility and reverence to the Native lands we walk on in our home here in California. We give thanks for the opportunity to learn and grow. 

We are here for you, with you. 
We are ready to do the work with you, for you. 
We thank you. 
We love you. 

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Land Acknowledgment

We acknowledge the forces of nature all around us and express our gratitude that we get to pass through this place as gracious guests.  

We give thanks to all those ancestors who have walked before us. 
We acknowledge what a privilege it is to walk on these same lands today, and we touch the earth with humility and gratitude. 
Our Bay Area park sites have included numerous Native territories, primarily Muwekma Ohlone, Coast Miwok, and Graton Rancheria lands. In addition, we have worked on lands native to the Ramaytush, Chochenyo, Awaswas, Tamyen, and Karkin tribes. 

Our greatest wish is that all people will one day feel safe and feel a true sense of belonging in these precious public lands.

We invite you to find out more about the land you are standing on. Visit https://native-land.ca/


We Players’ Accountability Statement

Every day, national systemic oppression and racism are becoming more painfully obvious and unacceptable. Those of us who have had the privilege to function within the system must raise our voices and wield our privilege to fight and to end the injustice. We are committed to meeting the moment, and the theatre community that we celebrate being a small part of, must also ascend to meet this moment.  On behalf of our extended community, We Players’ Board of Directors and staff take responsibility for our part in this system. Our doors, hearts, and minds are open to hear directly from any injured individuals who wish to share their stories. We honor restorative justice processes and we respect the sovereignty of each individual. We commit ourselves to ongoing inquiry into our intentions and practices, to learn from our shortcomings, and directly address - with a commitment to changing - any harmful behavior within our organization, and to use any influence we have in the industry to help others to do so as well. 

The recounting and collection of stories from the BIPOC community about the unacceptable behavior they’ve endured from legacy white organizations and the leadership of those institutions is the foundation for The Living Document and We See You White American Theatre. These documents have made obvious the painful inequity and overt bias in our community. We extend our deep gratitude to all those who shared experiences, knowledge, and resources to both documents. We acknowledge the pain and cost of both time and emotional energy in the creation of these valuable guides to instruct and inform this necessary work. Thank you.

We're in the process of reviewing these documents item by item and creating an anti-racism company manual that is available on our website and will be issued to all actors hired to work with our company. This is a necessary addendum to the Community Guidelines that we implemented in 2012, our inaugural year as a 501c3 non-profit corporation. Our Community Guidelines is an ongoing work-in-progress, with suggestions from our community members, and an ongoing practice of self-reflection, informing edits and additions each year. So too, our Anti-Racism Manual is an active document that is evolving as we learn and grow and will be continually responsive to input. 

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King Fool and Night Walk this Friday

We Players invites our community to join us in a Night Walk through the Mission in advance of our final San Francisco showing of King Fool, this Friday. Our 9/26 event – including performance, conversation and festive closing reception, will begin at 8pm, in a private warehouse just south of Mission Bay. The address will be revealed upon placing your reservation.

One of the things that has come up in our post-performance conversations is the truth that we cannot know when we will die.

Many of us hope that we will be blessed with a full life and well cared for by those we most love as we age and approach death. In our adaptation, Lear is blessed in this way, and yet his story is still heartbreaking.

It is a far greater tragedy for young people to die from violent crime.

The faith communities in the Mission – with whom we shared our opening performance of King Fool, have been making a positive impact in their neighborhood by being present and peaceful.

Our creative team is inspired to connect the timeless themes of death and relationship with current realities and join these communities for this Friday’s Night Walk.

We welcome your participation.

More info below.


For over a year now, several faith communities have been regularly walking some of the more violent streets of the Mission with a simple three-fold message:

 We care
 Stop the violence
 What do you need?

At this next Night Walk we will also celebrate the re-emergence of an important street-intervention organization in our neighborhood. This organization, called CALLES (meaning “Streets”), has been one of the Mission’s most effective organizations reaching high-risk youth. It has been dormant for the last few years, but makes its comeback as part of our next Night Walk.

When: Friday, September 26, 6-7:30pm

Where: Starting with a short ceremony at Instituto Familiar De La Raza (IFR) // 2919 Mission St, SF, CA 94110 and walking to Centro del Pueblo // 474 Valencia St

Vessels for Improvisation

Our site-integrated concerts explore the themes embedded in or suggested by a site and investigate the sonic properties of a space. Following the success of Canciones del Mar: Songs of the Sea in spring 2013, Music Director Charlie Gurke curates an evening of live music and dance improvisation aboard the historic ferryboat Eureka at Hyde Street Pier on November 2, 2013, featuring ROVA Saxophone Quartet and special guest Shinichi Iova-Koga from inkBoat.

Scroll down to place your reservation!

ROVA Saxophone Quartet

ROVA Saxophone Quartet

The ROVA Saxophone Quartet has been exploring the synthesis of composition and collective improvisation for over 35 years, creating exciting, genre-bending music that challenges and inspires.  The Penguin Guide to Jazz calls ROVA’s music “a teeming cosmos of saxophone sounds” created by “deliberately eschewing conventional notions about swing [and] prodding at the boundaries of sound and space…”

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For Vessels for Improvisation, ROVA will be joined by dancer Shinichi Iova-Koga (pictured above), founder of SF based performance company inkBoat.

“Shinichi Iova-Koga’s work is grotesque, beautiful, and funny. As a dancer he is never less than mesmerizing — ephemeral like smoke, limpid like a vernal pool. He has developed a personal form of mixed-media dance theater that integrates contradictory impulses — the ancient and the technological, the chaotic and the formal, nature and nurture. He might be called a dancer at the edge.”  ~RITA FELCIANO

Join We Players and these renowned artists for an
unforgettable evening at Hyde Street Pier!