HEAR THE SONGS OF THE SEA

Canciones del Mar pulls into port in just ten days!
Saturday, 9/23, 6:30pm

We Players' Music Director, Charlie Gurke

We Players' Music Director, Charlie Gurke

Come celebrate National Hispanic Heritage Month at Canciones del Mar, aboard Eureka, the 1890 side-wheel paddle steamboat at Hyde Street Pier.

Have a listen to La Piragua, from Canciones del Mar!

Join our "Captain's Club"! 
Any donation to We Players made between now and 9/23 in the amount of just $10 or more puts you in the Captain's Club!

We're delighted to offer complimentary  Canciones del Mar drinks to our Captain's Club members.

Please note: We can not accept any donations on-site at the event and drinks will not be available for purchase.

So wet your bosun's whistle and join the Captain's Club today!  

Vessels for Improvisation aboard the ferryboat Eureka

When I was approached about programming concerts at SF Maritime as part of We Players’ cooperative agreement with the park, it didn’t take long to figure out what I wanted to do. 

One approach was to explore themes of the sea in latin american music, which we’ve been doing in our Canciones del Mar concerts.

The other approach that came to me was at the other end of the musical spectrum, so to speak. A more ‘pure’ exploration of sound in space, the basic idea was to let improvisers loose in the park to react and respond to the sounds of the pier. The bigger idea is that working with other artists in the familiar site of SF Maritime will help We Players company staff see the Park in new and inspiring ways.

A longtime fan of the ROVA sax quartet, they were the first ensemble I thought of approaching for this project. For an astounding 35 years, ROVA has been developing an improvisational rapport, making them an ideal group to step into almost any situation with open ears.  Larry and John came to scope out the pier and decided that the ferryboat Eureka was best suited to this endeavor, with ample space for both audience and performers to move freely during the concert.

I had initially conceived of Vessels for Improvisation as a solely musical event, but ROVA expressed interest in collaborating with dancer Shinichi Iova-Koga, which made perfect sense, as movement (of performers and audience alike) would be a major part of Vessels.  Now in it’s second year, I’m very much looking forward to what Vessels will reveal, featuring an expanded ensemble with the addition of John Bischoff on electronics, and Dana Iova-Koga and Dohee Lee from inkBoat joining ROVA and Shinichi.

– Charlie Gurke, Music Director

King Fool and Night Walk this Friday

We Players invites our community to join us in a Night Walk through the Mission in advance of our final San Francisco showing of King Fool, this Friday. Our 9/26 event – including performance, conversation and festive closing reception, will begin at 8pm, in a private warehouse just south of Mission Bay. The address will be revealed upon placing your reservation.

One of the things that has come up in our post-performance conversations is the truth that we cannot know when we will die.

Many of us hope that we will be blessed with a full life and well cared for by those we most love as we age and approach death. In our adaptation, Lear is blessed in this way, and yet his story is still heartbreaking.

It is a far greater tragedy for young people to die from violent crime.

The faith communities in the Mission – with whom we shared our opening performance of King Fool, have been making a positive impact in their neighborhood by being present and peaceful.

Our creative team is inspired to connect the timeless themes of death and relationship with current realities and join these communities for this Friday’s Night Walk.

We welcome your participation.

More info below.


For over a year now, several faith communities have been regularly walking some of the more violent streets of the Mission with a simple three-fold message:

 We care
 Stop the violence
 What do you need?

At this next Night Walk we will also celebrate the re-emergence of an important street-intervention organization in our neighborhood. This organization, called CALLES (meaning “Streets”), has been one of the Mission’s most effective organizations reaching high-risk youth. It has been dormant for the last few years, but makes its comeback as part of our next Night Walk.

When: Friday, September 26, 6-7:30pm

Where: Starting with a short ceremony at Instituto Familiar De La Raza (IFR) // 2919 Mission St, SF, CA 94110 and walking to Centro del Pueblo // 474 Valencia St

Soy Tu Mar (I Am Your Sea)

Canciones del Mar: Songs of the Sea

I have played all sorts of concerts in all kinds of venues but “Canciones del Mar; Songs of the Sea” (curated by Charlie Gurke from We Players) is a very unique and fun concert because our performance will happen aboard a beautiful historic ship, the Balclutha, in the San Francisco Maritime National Historical Park.

For an hour and a half Jose Roberto Hernandez (guitar, vocals), Charlie Gurke (saxophone), David Pinto (bass) and Edgardo Cambón (percussion, vocals) and I will take you to a world of sea and love with stories and song.

I’m particularly excited about this year’s performance as I will be sharing one of my original songs, “Soy Tu Mar” (I Am Your Sea), a song that speaks about the sea, or better said, the sea speaks about itself, about its memories, about its joys and fear…through me.

I am very honored to be playing with such broad and talented musicians. We all come from different musical backgrounds so I will be playing and singing songs that, at times, may take me out of my comfort zone which I find to be very exciting as playing and singing styles of music different from mine takes my musicianship to another level. Really looking forward to this beautiful collaboration!

— Diana Gameros, Vocals & Guitar
Canciones del Mar

Meet the Musicians of Canciones del Mar

Canciones del Mar: Songs of the Sea
on Saturday, July 19th at 6pm aboard the tall ship, Balclutha.

I think of the musicians of Canciones as an all-star ensemble, but when putting this group together, I wasn’t looking for the flashy, virtuoso kind of ‘all-star’. Each member of this ensemble is a virtuoso musician and composer in their own right, but I chose each one more for their interpretive sensitivity than their ‘chops’. I wanted to be sure that the themes we’re expressing, the variety of metaphor that the sea provokes, would be artfully expressed.

I’ve had the pleasure of performing with Edgardo Cambon’s large and small ensembles, Candela and Latido, for the past several years. Originally from Montevideo, Uruguay, Edgardo is a master percussionist and vocalist with a breadth of knowledge and experience performing the music of Latin America, from Argentinian tango to the salsa of El Barrio. Edgardo is especially fluent in the popular and folkloric music of Cuba, and opens each Canciones performance with a chant to Yemaya, the Afro-Cuban deity of the sea.

Originally from Juarez, Mexico, Diana Gameros is known to most of her fans for her original songs of ‘love, longing, and hope’, performed in a diverse style that blends elements of latin music with rock, world music, and jazz. I knew Diana would be a perfect fit for the Canciones ensemble when I heard her perform solo, playing very original and personal arrangements of classic boleros and rancheros from the latin american tradition.

I came to know Jose Roberto Hernandez when we spent the better part of a year bringing the music of Latin America to elementary school kids across San Francisco through a program with the SF Symphony. Jose Roberto is not only a master guitarist and vocalist with a wealth of knowledge of the bolero and nueva trova traditions, but is also skilled in folk instruments from around Latin America, including his native Tabasco, Mexico.

David Pinto is one of the many musical treasures we are lucky to have here in the Bay Area. A native of Peru, David is best known for his work as music director, arranger, and bassist for Susana Baca. In addition to his particular expertise in Afro-Peruvian music, David performs with the bay’s best salsa, folkloric, and latin jazz ensembles.

— Charlie Gurke
We Players Music Director

 

Biographies for Alcatraz Restorative Justice Panel Discussion

We Players is honored to facilitate discussion on the transformation of identity, restorative justice, and the methodology of state produced inmate portraiture are the primary themes for the exhibition on Alcatraz this Saturday.  Bios for our participating artists and practitioners of interpretation and restorative justice are below.  We extend our thanks for their talent and dedication to justice and forgiveness.

Reservations are filled for our exhibition opening event this Saturday, but our experience with offering free reservations is that there is usually space for at least a hand full of wait list admissions.  If you’d really like to join us and haven’t yet made your reservation, just arrive at Pier 33 between 12:30-12:45, follow the We Players signs to our reservations table, and add your name to the waiting list.

Sujatha Baliga

Sujatha’s work is characterized by an equal dedication to victims and persons accused of crime.  Sujatha earned her A.B. from Harvard and Radcliffe Colleges and her J.D. from the University of Pennsylvania.  She has held federal clerkships with the Honorable William K. Sessions, III, Chair of the U.S. Sentencing Commission and with the Honorable Martha Vázquez. Sujatha has served as a consultant to the Stanford Criminal Justice Center, and taught Restorative Justice at New College School of Law and at the California Institute for Integral Studies. In 2008, Sujatha was awarded a Soros Justice Fellowship, which she used to spearhead a successful restorative juvenile diversion program in Alameda County.

She is the Director of Community Works’ newest initiative, Community Justice Works, where she continues to implement and expand the restorative juvenile diversion program she began through her Soros Fellowship.  Sujatha is also the Founder and Executive Director of The Paragate Project, an organization dedicated to exploring forgiveness. An emerging national voice in restorative justice, she was recently honored as Northeastern University Law School’s Daynard Fellow.  Sujatha’s personal and research interests include victims’ voices in restorative practices, the forgiveness of seemingly unforgivable acts, and Tibetan notions of justice.

Evan Bissell

Evan Bissell is a Bay Area artist and educator whose work is a project-based practice of creating structures of collaborative dialogue and expressions of personal and community truths. Working with groups of people, Bissell facilitates educational, auto-ethnographic and contemplative processes of interviews, research, listening, writing and art-making.  In the last five years he has created and publicly installed over 50 original paintings and murals with Bay Area residents on themes ranging from love, to education to incarceration.  He has had solo exhibitions at SOMArts Cultural Center, Intersection for the Arts and Marcus Books, and created the original set for the play Mirrors in Every Corner. Evan currently teaches art at El Cerrito High School in the Teen Alive program – combining art with critical group discussion on masculinity and violence.

Jim Breeden

Jim Breeden has been an Interpreter on Alcatraz for nearly three years. He has done groundbreaking research in what is described as Alcatraz’s first escape attempt, recasting the event in an entirely different light. He is currently preparing for a future display on Alcatraz, which involves comparing Alcatraz to modern American prisons and illuminating alternative approaches to incarceration such as restorative justice.

Monica Lundy

Born in Portland, Oregon in 1974, Monica Lundy spent her childhood between Oregon, California and Dhahran, Saudi Arabia. She received a BFA from The School of the Art Institute of Chicago in 1996. In 2001 she moved to Florence, Italy, where she studied painting independently under the mentorship of Jules Maidoff, founder of Studio Art Centers International.  Monica received a MFA from Mills College in 2010 and was also a recipient of the 2010 Jay DeFeo Award in painting and sculpture.  She currently lives and works in Oakland, California.