Fair Winds

Dear Friends,

Since you are here reading this post, THANK YOU for visiting We Players’ new website. I’m excited to provide more regular updates about our work and play, and to invite your participation with this new web-interface.

On this occasion, I’d like to tell you a little story. Okay? It’s short, but have a cup of tea and sit with me for a few. In November of 2008 I visited Alcatraz for the first time. Now, nearly three years later, I feel like pieces of the island are embedded in me, and I know we have left our own quiet trails throughout the island’s disparate terrain. Prior to the big adventure on Alcatraz – I went to sea. First crewing on a 36′ Tartan sloop, the “Wild Rose” with a wonderful female captain, and somewhere in southern Mexico switched ships to a 38′ Yorktown called “Fandango”. The captain, myself and Fandango crossed 3400 nautical miles to reach the verdant green shores of Hilo, Hawaii. There I bathed in fresh, sweet water for the first time in weeks and feasted on fruit after the extended lapse sans fresh food. Astounding really, how absence not only makes the heart grow fonder, but more appreciative and able to taste and savor familiar things as completely new. Something to consider in my art making I believe – how to keep the work alive, breathing, fresh, constantly growing and changing. Not to settle into patterns or old tricks, but continually find new flavors and hues. Upon returning to California, I found that the sea had helped me drop into a deep space of quiet and focus, which has supported me through these challenging two years on Alcatraz.


Up until this island, this Rock, this series of performances and outreach projects, We Players has been somewhat sporadic. Well, that’s not quite it. But the company has had to trail in the wake of a gypsy wandering leader. Each of my adventure travels has served the work in some way – providing inspiration for an upcoming project, or just quieting my soul so that I could rise to the task of creating monumental productions with very little resources. Still, 2010 marked both the 10 year celebration of being on this path and was also something of a test for me. Does the world want this work? Shall I continue striving to create these productions? Will I be able to better support myself and my collaborators through the work? Will we become financially more solvent? Do people want to play with We Players? Shall I take not only the next step…but a flying leap into a new decade?

The response to Hamlet on Alcatraz, and the personal progress I felt throughout the creation of that show, gave me a resounding YES. And so – welcome to We Players second decade. There are no bounds – only the expansive, ever extending horizon where the sea’s lips kiss the sky’s cheek.

Thank you for sailing along with WE.


Oh, and postscript: None of this would exist if it were not for ALL of WE. All of you who come to experience the work and boldly join us on the performance journey. All of you who have worked with me, have given so much of your time, your talent, your spirits to manifest each collosal creation. Donald, Elissa, and Brandon, who I will unabashedly admit are my bedrock and my heart’s greatest loves. And Lauren Dietrich Chavez, without whom WE would not be rising on such strong and peaceful wings. I am honored to hold your hand and walk with you, Lauren.